Maria Chiara Calvani menini\u0173 tyrim\u0173 pagrindas – santykis su kitoni\u0161kumu, naratyvine dimensija, kylan\u010dia i\u0161 \u017emoni\u0173, kuriuos ji \u012ftraukia \u012f savo projektus ir kuriems patiki svarb\u0173 istorij\u0173 saugotoj\u0173 vaidmen\u012f, susijus\u012f su j\u0173 skirtingomis kult\u016brin\u0117mis nuostatomis, prisiminimais, patirtimi ir tyrin\u0117jimas. Meninink\u0117 daugiausia dirba su instaliacijomis, vaizdo \u012fra\u0161ais ir performansais specifiniuose kontekstuose ir kitose \u0161iuolaikinio meno praktikose, \u012ftraukiant vietines miesto ar kit\u0173 teritorij\u0173 bendruomenes.<\/p>\n
Pastaruoju metu jos meniniai tyrimai sutelkti \u012f \u012fvairias ritual\u0173 formas egzistuojan\u010dias skirtingose kult\u016brose bei tarp j\u0173 gl\u016bdin\u010dius bendrus elementus, aptinkamus skirting\u0173\u00a0 kult\u016br\u0173 apeigose. Jos meniniai tyrimai sutelkti ypa\u010d \u012f liaudies elementus (legendas, pasakojimus, liaudies eil\u0117ra\u0161\u010dius, papro\u010dius, menus ir amatus) ir \u012f tai, kas lieka i\u0161 \u0161ios vaizduot\u0117s, kasdieniniame gyvenime.<\/p>\n
Rezidencijos metu meninink\u0117 \u012fgyvendino t\u0119stin\u012f projekt\u0105 \u201aHamakas ir dain\u0173 eil\u0117s\u2018, kurio tikslas \u2013 kviesti vietin\u0119 Kint\u0173 bendruomen\u0119 prisijungti prie \u0161io proceso, prisidedant prie hamako k\u016brimo darb\u0173. Mezgimas kartu, bendruomen\u0117je, sukuria aplink\u0105 dalinimuisi \u2013 ar tai beb\u016bt\u0173 kult\u016brinis vietos paveldas, dainos, mezgimo technikos, ar asmenin\u0117s mezg\u0117j\u0173 istorijos. 20 dien\u0173 praleidusi Kintuose, meninink\u0117 kas dien\u0105 i\u0161sirinkdavo viet\u0105 Kint\u0173 vie\u0161ose erdv\u0117se, kuriose ji susipa\u017eindavo tiek su vietiniais gyventojais ir tiek su keliautojais.<\/p>\n
Maria Chiara Calvani developed an episode of the The Hammock and the Songlines\u2019s project in Kintai town during the 20 days of residency at Kintai Art Residency. The artist has involved the inhabitants inviting them to knit a piece of hammock. Every days Maria Chiara begins her performative action choosing as a place to knit the hammock: the houses of the people of the village, the Vydunas Museum, the church, the shops, the Harbor and the public areas of the village in general. From the meeting and the involvement, a link is born between the artist and the people. The process, the meetings, the stories told by the people are documented in a logbook kept by the artist which will be presented on the occasion of the presentation of the work in different spaces.<\/p>\n
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