{"id":16538,"date":"2026-07-18T14:07:35","date_gmt":"2026-07-18T11:07:35","guid":{"rendered":"https:\/\/kintaiarts.lt\/?post_type=renginys&p=16538"},"modified":"2026-07-23T17:18:36","modified_gmt":"2026-07-23T14:18:36","slug":"peizazo-formacijos-pakeles","status":"publish","type":"renginys","link":"https:\/\/kintaiarts.lt\/en\/renginiai\/peizazo-formacijos-pakeles\/","title":{"rendered":"Landscape Formations. Waysides"},"content":{"rendered":"

Rezidencijos dalyviai (-\u0117s): Taiba Al Nassar, Viktorija Kemekl\u0117, Marija Nem\u010denko ir Au\u0161ra Vismantait\u0117-Silva, Nico Pachali, Kristijonas \u017dungaila<\/strong><\/p>\n

Rezidencijos kviestiniai menininkai, pristatantys specialias temas: Agn\u0117 Kulbyt\u0117 ir Egl\u0117 Kliu\u010dinskait\u0117<\/strong><\/p>\n

Rezidencijos kuratoriai: Monika Kornilova ir Art\u016bras Mitinas (Bakakay collective)<\/strong><\/p>\n

\u0160iais metais menininkai kvie\u010diami interpretuoti \u201ePeiza\u017eo formacij\u0173\u201c tem\u0105 atsispiriant nuo pakeli\u0173<\/strong> potem\u0117s – ji nurodo tiek \u012f tiesiogin\u012f, tiek metafori\u0161k\u0105 klajojim\u0105, kaip galimyb\u0119 atsidurti nepa\u017eintose erdv\u0117se, prisijaukinti nepa\u017einum\u0105. Rezidencij\u0173 metu bus atkreipiamas d\u0117mesys \u012f kasdieniam \u017evilgsniui nepastebimus materialumus ir gyvybes, d\u0117mesio periferijoje l\u016bkuriuojan\u010dias, nereprezentacines Pamario regiono erdves. Bus apm\u0105stomas paradoksalus apleist\u0173, ta\u010diau atvir\u0173 ir savaip \u012ftraukian\u010di\u0173 erdvi\u0173 santykis su gyventojais, architekt\u016brinio naujinimosi ir aktualizacijos klausimai.<\/p>\n

Rezidencijos menininkai bus kvie\u010diami pristatyti savo k\u016bryb\u0105 reziduojantiems menininkams, dalyvaujantiems kuratoriams, menotyrininkams per \u201eatvir\u0173 studij\u0173\u201c (Open Studios) susitikimus. Taip pat rezidencijos metu vyks kviestini\u0173 prane\u0161\u0117j\u0173 (meninink\u0173, menotyrinink\u0173, architekt\u0173) simpoziumo prane\u0161im\u0173 pristatymai.<\/p>\n

Rugpj\u016b\u010dio 1 d. 18 val. Kvie\u010diame \u012f rezidencijos pabaigos parod\u0105, kurioje gal\u0117site susipa\u017einti su rezidencijos dalyviais, pamatyti rezidencijos galerijos erdv\u0117se i\u0161eksponuotus rezidencijos metu vystytus k\u016brinius, susipa\u017einti su prad\u0117t\u0173 meno tyrim\u0173 dokumentacija. Kvie\u010diame prisijungti!<\/p>\n

Rezidencijos vizualinis apipavidalinimas: Ugn\u0117 Bal\u010di\u016bnait\u0117<\/p>\n

\/\/<\/strong><\/p>\n


\nAbout the participants:<\/strong><\/p>\n

Taiba Al Nassar<\/strong>
\nTaiba Al Nassra yra vizualiojo meno k\u016br\u0117ja ir tyr\u0117ja, gyvenanti bei kurianti tarp Londono ir Kuveito. Jos tarpdisciplinin\u0117 k\u016brybin\u0117 praktika apima med\u017eiag\u0173 tyrimus, alternatyvius fotografijos procesus ir kitus taktilinius metodus, kuriais ji nagrin\u0117ja gin\u010dijam\u0173 kra\u0161tovaizd\u017ei\u0173 ir juose gl\u016bdin\u010di\u0173 istorij\u0173 tarpusavio ry\u0161\u012f. Veikdama tarp skirting\u0173 geografini\u0173 ir kult\u016brini\u0173 kontekst\u0173, Taiba remiasi \u012fvietint\u0173 \u017eini\u0173 sistemomis, archyvais, kvestionuojan\u010diais dominuojan\u010dius istorinius naratyvus, tirdama kolonializmo paveiktas aplinkas, jose veikian\u010dius \u017emones ir procesus<\/p>\n

Viktorija Kemekl\u0117
\n<\/strong>Viktorija Kemekl\u0117 is a young generation artist, painter. Lives and works in Vilnius, Lithuania. In her art practice she explores the dotted line where one unnoticeably turns into the other. The main axis of her artistic research is the fluidity of experience between distant poles: between the visible and implicit. The main motif leading through these topics are transitional spaces, urbanism and night landscapes. Through depicting light in painting, the artist defines the limits of cognition. Viktorija\u2019s painting style is strongly influenced by artists Leon Spilliaert, Rene Magritte and Edward Hopper. Since 2020 the artist actively participates in solo and group shows. Her works have been shown in exhibitions in Vilnius, Kaunas and Klaip\u0117da.<\/p>\n

Marija Nem\u010denko and Au\u0161ra Vismantait\u0117-Silva
\n<\/strong>Au\u0161ra Vismantait\u0117-Silva<\/strong> lives and works between Lithuania and Mexico. Her interdisciplinary, research-based artistic practice explores landscape as a space where memory, migration, identity, geopolitical tensions, and communal relationships intersect. Recently, she has been working at a tree nursery in Northern Mexico, where she observes, studies, and propagates native and wild tree species. Listening, walking, and field research play an important role in her artistic practice. Her works emerge from audio wanderings, chance encounters and conversations, radio broadcasts, and field recordings. Drawing on these materials, she explores the connections between landscape, migration, memory, and more-than-human life, highlighting the complex relationships between ecological processes and social narratives.<\/p>\n

Marija Nem\u010denko<\/strong> \u2013 Lietuvos tyr\u0117ja ir tarpdisciplinin\u0117 meninink\u0117, gyvenanti ir kurianti tarp Lietuvos ir Libano. Savo praktikoje ji dirba su archyvine med\u017eiaga, filmu, instaliacija, k\u016brybiniu ir kritiniu ra\u0161ymu, taip pat inicijuoja projektus, jungian\u010dius socialiai anga\u017euot\u0105 men\u0105 su pilietiniu gyvenimu. Jos daugiasluoksn\u0117 k\u016brybin\u0117 praktika siekia atskleisti ir aktyvuoti migracijos, gamtos bei nacionalini\u0173 valstybi\u0173 tarpusavio s\u0105sajas, kartu kriti\u0161kai nagrin\u0117dama \u201eperiferijos\u201c konstravim\u0105. Ypating\u0105 d\u0117mes\u012f savo menin\u0117je praktikoje Marija skiria Ryt\u0173 Europos ir SWANA (Pietvakari\u0173 Azijos ir \u0160iaur\u0117s Afrikos) regionams.<\/p>\n

Nico Pachali
\n<\/strong>Nico Pachali is a german visual artist based in Hannover, working in the field of installation and drawing. He examines questions of space, movement in (horizontal) space and a mobile concept of sculpture through drawing, language, writing and installation. During his stay at Kintai, Nico would like to further explore the fluid, transformative possibilities and configurations within his work. Starting from the floor, he approaches spatial arrangements and installations as open, horizontal formations. In dialogue with the openness of the landscape, he wants to initiate new processes and questions both within the studio and in his drawing practice, as well as in the surrounding landscape: one aim is to develop chalk drawings that respond to the structures of the site, experiment with distances and spaces in between space and the idea of developing a spatial alphabet and\/or writing system in relation to (his own) body.<\/p>\n

Kristijonas \u017dungaila
\n<\/strong>Savo k\u016bryboje menininkas tyrin\u0117ja \u017eenkl\u0173, \u017eymen\u0173 bei pavir\u0161i\u0173 \u012ftamp\u0173 transformacij\u0105. Kristijonas dirba su i\u0161 asmenini\u0173 ir kult\u016brini\u0173 lauk\u0173 atsine\u0161tomis nuotrupomis, i\u0161 \u012fran\u010di\u0173 strukt\u016br\u0173 reprodukuotomis tekst\u016bromis ir j\u0173 fragmentais, analizuodamas, kaip kartot\u0117, nusid\u0117v\u0117jimas ir aplinkos bei laiko poveikis kei\u010dia j\u0173 reik\u0161m\u0119. K\u016brinius jis konstruoja kaip persidengian\u010di\u0173 sluoksni\u0173 lauk\u0105, naudodamas archeologinius kasybos ir u\u017elaidojimo metodus,\u00a0 kuriuose vaizd\u0105 telkiasi pagalbon ne kaip tiesiogin\u0119 reprezentacij\u0105, o kaip \u012ftamp\u0173 nuos\u0117d\u0173 sankaup\u0105.<\/p>\n

Kintai Arts veiklas finansuoja Lietuvos kult\u016bros taryba<\/p>\n

\"\"<\/p>\n

 <\/p>","protected":false},"excerpt":{"rendered":"

Kvie\u010diame \u012f \u201ePeiza\u017eo formacijos. Pakel\u0117s\u201c rezidencijos programos parod\u0105 rugpj\u016b\u010dio 1 d. 18:00! <\/p>","protected":false},"featured_media":16539,"template":"","categories":[63],"class_list":["post-16538","renginys","type-renginys","status-publish","has-post-thumbnail","hentry","category-archyvas","post-wrapper","thrv_wrapper"],"_links":{"self":[{"href":"https:\/\/kintaiarts.lt\/en\/wp-json\/wp\/v2\/renginys\/16538","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kintaiarts.lt\/en\/wp-json\/wp\/v2\/renginys"}],"about":[{"href":"https:\/\/kintaiarts.lt\/en\/wp-json\/wp\/v2\/types\/renginys"}],"version-history":[{"count":5,"href":"https:\/\/kintaiarts.lt\/en\/wp-json\/wp\/v2\/renginys\/16538\/revisions"}],"predecessor-version":[{"id":16569,"href":"https:\/\/kintaiarts.lt\/en\/wp-json\/wp\/v2\/renginys\/16538\/revisions\/16569"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kintaiarts.lt\/en\/wp-json\/wp\/v2\/media\/16539"}],"wp:attachment":[{"href":"https:\/\/kintaiarts.lt\/en\/wp-json\/wp\/v2\/media?parent=16538"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kintaiarts.lt\/en\/wp-json\/wp\/v2\/categories?post=16538"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}