{"id":16122,"date":"2026-03-31T13:55:13","date_gmt":"2026-03-31T10:55:13","guid":{"rendered":"https:\/\/kintaiarts.lt\/?post_type=renginys&p=16122"},"modified":"2026-03-31T13:57:42","modified_gmt":"2026-03-31T10:57:42","slug":"ikliuve-spastai-no-longer-a-trap-but-a-hunter","status":"publish","type":"renginys","link":"https:\/\/kintaiarts.lt\/en\/renginiai\/ikliuve-spastai-no-longer-a-trap-but-a-hunter\/","title":{"rendered":"\u012ekliuv\u0119 sp\u0105stai | No Longer a Trap but a Hunter"},"content":{"rendered":"

Pastaruosius a\u0161tuonerius metus dirbu su \u0161iuolaikinio meno produkcija, padedu kitiems menininkams paversti j\u0173 id\u0117jas ap\u010diuopiamais objektais: tamsiame kambaryje tenka ry\u0161kinti spaudinius, gaminti medinius paveiksl\u0173 r\u0117mus, konstruoti keistas, eksperimentines eksponavimo sistemas. \u0160io rank\u0173 darbo proceso metu ie\u0161kau minties tylos \u2013 pirmiausia tod\u0117l, kad nenoriu, jog mano pa\u010dio id\u0117jos \u012fsimai\u0161yt\u0173 \u012f kito k\u016brin\u012f, o antra, kad netrukdy\u010diau savo k\u016bno intuicijai. \u0160ioje idealioje tu\u0161tumo b\u016bsenoje nebelieka min\u010di\u0173, lieka tik veiksmas, kai rankos taip susilieja su \u012frankiais ir med\u017eiagomis, kad ribos tarp j\u0173 tiesiog i\u0161nyksta. Klaida nutinka tada, kai mane i\u0161bla\u0161ko atsitiktin\u0117 mintis, haliucinacija ar koks nors tolimo prisiminimo blyksnis, tu\u010dtuojau nuspalvinantis mano suvokim\u0105 apie mane supan\u010dius objektus.<\/p>\n

Atsimenu kaip ka\u017ekada seniai nuo \u017eem\u0117s pak\u0117liau akmen\u012f ir j\u012f padovanojau mylimam \u017emogui. Jie puosel\u0117jo t\u0105 akmen\u012f, r\u016bpinosi juo \u2013 tarsi leido jam \u012fprasminti m\u016bs\u0173 jausm\u0173 gyl\u012f. Akmenys mane \u017eavi tuo, kad juos galima pa\u017einti, vertinti ir naudoti begale skirting\u0173 b\u016bd\u0173. Jie tarsi keisti tu\u0161ti indai, prisipildantys \u017emogaus jausm\u0173 ir projekcij\u0173. Mane \u017eavi tam tikras konfliktas susikuriantis tarp objekto ir jam, per kalb\u0105 ir gestus, suteikiam\u0173 reik\u0161mi\u0173.<\/p>\n

Parodoje \u201eGalvoju ir kli\u016bnu\u201c eksponuojamose fotografijose vaizduojami paprasti dalykai: medis, akmuo, vanduo, \u0161e\u0161\u0117lis, \u0161viesa, popierius ir pan. Nuotraukas ry\u0161kinau ir r\u0117minau savo rankomis, da\u017enai palikdamas \u0161i\u0173 proceso p\u0117dsak\u0173, liudijan\u010di\u0173 apie mano \u017emogi\u0161kum\u0105 ir netobulum\u0105. Vengiu k\u016brinius apkrauti intelektin\u0117mis projekcijomis, ta\u010diau i\u0161 \u0161i\u0173 darb\u0173 ar santykio su jais i\u0161kylan\u010dios laikinos istorijos man teikia d\u017eiaugsmo. Kokia laim\u0117 yra steb\u0117ti, kaip tokiu b\u016bdu besikurianti prasm\u0117 ateina ir i\u0161eina, paskui save palikdama tik objekt\u0105.<\/p>\n

Apie meninink\u0105:<\/strong>Sam Margevicius \u2013 amerikie\u010di\u0173 menininkas, dirbantis su fotografijos medija ir u\u017e jos rib\u0173. Jo k\u016bryboje pagrindinis d\u0117mesys skiriamas procesams, i\u0161ry\u0161kinantiems id\u0117jas, gimstan\u010dias dialoge su med\u017eiagomis, aplinkomis ir auditorijomis. Pasitelkdamas netradicines kadravimo technikas, instaliacij\u0105, performans\u0105 bei knyg\u0105 kaip meno form\u0105, menininkas suteikia fotografijoms nauj\u0173 reik\u0161mi\u0173 ir kontekst\u0173. Margevi\u010diaus knygos yra \u012ftrauktos \u012f daugelio bibliotek\u0173 nuolatines kolekcijas, o tarp j\u0173 ir \u012f tokias kaip Niujorko Metropoliteno meno muziejaus ir Modernaus meno muziejaus bibliotekos.<\/p>\n

Kintai Arts veikl\u0105 finansuoja Lietuvos kult\u016bros taryba.EN \/\/We are delighted to invite you to the last exhibition opening of this season. Join us on 26 September at 7 pm for Sam Margevicius exhibition \ud835\udde7\ud835\udddb\ud835\udddc\ud835\udde1\ud835\uddde\ud835\udddc\ud835\udde1\ud835\uddda \ud835\uddda\ud835\uddd8\ud835\udde7\ud835\udde6 \ud835\udde0\ud835\uddd8 \ud835\udddc\ud835\udde1 \ud835\udde7\ud835\udde5\ud835\udde2\ud835\udde8\ud835\uddd5\ud835\udddf\ud835\uddd8.<\/p>\n

Over the last eight years I have been involved in art fabrication, helping other artists transform their ideas into material objects. I make darkroom prints, wooden picture frames, and strange or experimental systems of display. In this process of manual labor, I seek mental emptiness \u2013 first, because I don\u2019t want my own ideas to infiltrate someone else\u2019s work, and second, because I don\u2019t want to interfere with my body\u2019s intuition. In this ideal state of emptiness there are no thoughts, only actions, my hands synchronized so intimately with the tools and materials, it is as though the boundaries between them dissolve. When I make a mistake, it is because I am distracted by a passing thought, a hallucination, a distant memory that bubbles up and colors my perception of objects around me.<\/p>\n

A long time ago I remember picking up a rock and giving it to someone I loved. They held onto the rock and cared for it, letting it soak up the significance of our affection. Rocks are fascinating because they can be known, appreciated, and used in innumerable ways. They are a kind of shifter, an empty vessel that takes on human projections. I am fascinated by this conflict between the object and the ideas we attach to them through language and gesture.<\/p>\n

The photographs in \u201cThinking Gets Me In Trouble\u201d are of simple things: wood, stone, water, shadow, light, paper, and so on. I have printed and framed the works by hand, often leaving traces of the process like an index of my humanity, my imperfections. I\u2019m hesitant to burden the work with intellectual projections but delight in the ephemeral narratives that have emerged in relation to these works. What a joy, to watch such meaning come and go, leaving the object in its wake.<\/p>\n

About the artist:<\/strong>Sam Margevicius is an American artist working in and around photography. His work privileges process, emphasizing ideas that emerge in dialogue with materials, environments, and audience. Margevicius works with framing, installation, performance, and bookmaking to inform his photographs and offer meaningful contexts. Margevicius\u2019 books are held in the permanent collection of many libraries , including at the Metropolitan Museum of Art, New York, and the Museum of Modern Art, New York.\"\"\"\"\"\"\"\"\"\"<\/p>","protected":false},"excerpt":{"rendered":"

Nauj\u0105j\u012f sezon\u0105 Kintai Arts rezidencija pradeda su Aist\u0117s Stankevi\u010di\u016bt\u0117s ir Luko Danio paroda \u201e\u012ekliuv\u0119 sp\u0105stai\u201c.
\nMaloniai kvie\u010diame \u012f parodos atidarym\u0105 baland\u017eio 9 d., 17 val. Kintai Arts rezidencijos galerijoje (Kur\u0161i\u0173 g. 30, Kintai)<\/p>","protected":false},"featured_media":16126,"template":"","categories":[],"class_list":["post-16122","renginys","type-renginys","status-publish","has-post-thumbnail","hentry","post-wrapper","thrv_wrapper"],"_links":{"self":[{"href":"https:\/\/kintaiarts.lt\/en\/wp-json\/wp\/v2\/renginys\/16122","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kintaiarts.lt\/en\/wp-json\/wp\/v2\/renginys"}],"about":[{"href":"https:\/\/kintaiarts.lt\/en\/wp-json\/wp\/v2\/types\/renginys"}],"version-history":[{"count":5,"href":"https:\/\/kintaiarts.lt\/en\/wp-json\/wp\/v2\/renginys\/16122\/revisions"}],"predecessor-version":[{"id":16132,"href":"https:\/\/kintaiarts.lt\/en\/wp-json\/wp\/v2\/renginys\/16122\/revisions\/16132"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kintaiarts.lt\/en\/wp-json\/wp\/v2\/media\/16126"}],"wp:attachment":[{"href":"https:\/\/kintaiarts.lt\/en\/wp-json\/wp\/v2\/media?parent=16122"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kintaiarts.lt\/en\/wp-json\/wp\/v2\/categories?post=16122"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}